Department of
Art and Art History

Collections Management – Learning the skills to package and conserve works of art

Michelle Malenfant learns skills in collections management through her summer internship with the Gregory Allicar Museum of Art that she can apply to her future career at an art gallery. 

Spring 2022

Liminal Spaces: Nostalgia and the Borderland in Vicente Delgado’s prints

Vicente Delgado is a second year Master of Fine Art student studying printmaking. Inspired by his upbringing blending American and Mexican culture, Delgado’s work explores themes of childhood, nostalgia, consumerism, the borderland, and immigration.

Winter 2021

Clay is a Border of Nature, Time, and Space

Sanam Emami and students have been digging in the dirt along the Poudre River, exploring the possibilities of local clay. Local clays differ from commercialized, highly processed clays that are sourced from manufacturers. Using local clay to make functional objects ties its utility to place and provides a richer understanding of the connection between humans, place, and Earth.  

Spring 2021

Together, we explore and create

In the Department of Art and Art History, together, we discover, imagine, engage, solve and express. We make, teach, and interact with art that helps us explore and challenge our world.

Winter 2020

Art is an Essential Part of the Human Experience

Art-making is one of the many means of expression that humans engage with to understand and interpret the world around them. Community based art education is a collaboration between students and their teacher, tailored to the students’ needs. CSU art education students and teachers craft meaningful visual art experiences for students throughout Fort Collins. 

Winter 2019/Spring 2020

The visual arts evolution at CSU

The evolution of Colorado State University’s Art and Art History department is tied to the space it is housed in. At first, art classes were held in Old Main and all across campus. But since 1974, the Visual Arts building has housed all disciplines from art history to printmaking to electronic art. The painted cinderblock functions as a blank canvas for students, faculty, and staff to create art and is a place to work, learn, create, collaborate, and grow.

Winter 2018

Connected by Water: Semester at Sea illuminates our cross-cultural connections

Eleanor Moseman, associate professor of art history, studies the role women artists play as cultural producers. Her experience teaching on Semester at Sea brought a global comparative element to her courses Intro to Visual Art and Women in Art History, encouraging students to compare art in Spain, Japan, and Ghana.